The Hunt for Ancient Israel celebrates the contribution of Diana V. Edelman to the field of biblical studies and celebrates her personally as researcher, teacher, mentor, colleague, and mastermind of new research paths and groups. It salutes her unconventional, constant thinking and rethinking outside the box, and her challenging of established consensuses.
This volume includes essays addressing biblical themes and texts, archaeological fieldwork, historical method, social memory and reception history. Contributors include Yairah Amit, James S. Anderson, Bob Becking, Ehud Ben Zvi, Kåre Berge, Anne Fitzpatrick-McKinley, Susanne Gillmayr-Bucher, Lester L. Grabbe, Philippe Guillaume, David Hamidović, Lowell K. Handy, Maria Häusl, Kristin Joachimsen, Christoph Levin, Aren M. Maeir, Reinhard Müller, Jorunn Økland, Daniel Pioske, Thomas Römer, Benedetta Rossi, Cynthia Shafer-Elliott, Jason Silverman, Steinar Aandahl Skarpnes, Pauline A. Viviano, and Anne-Mareike Schol-Wetter.
Twenty years ago some biblical scholars at the University of Copenhagen were denounced as being nihilists and a threat to western civilization. What was their crime? They had exposed the fallacies of traditional historical-critical biblical scholarship, which was neither historical nor critical. Although the historical-critical interpretation of the Bible had developed over a period of more than a hundred years, it had ended up, with the help of a rationalistic paraphrase of the stories of the Old Testament, creating a society out of this world called biblical Israel. Israel was like no other society in the ancient world, and scarcely a real historic society at all. It was structured like a house of cards. Therefore, when some scholars began to question the historical content of the construction of ancient Israel, as it was usually called, the edifice broke down, first in bits and then totally. This study addresses the development of ‘Minimalism’ from its roots in the historical-critical paradigm and outlines an alternative theory which exposes and explains the intention behind the fallacy of using a story found in the Old Testament to simply invent the biblical concept of Israel.
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Representations of Antiquity in Film offers an introduction to how the ancient world is represented in film and especially Hollywood cinema. McGeough considers the potential that movies have for helping us think about antiquity and their relationship to more traditional academic historical work. The book shows how contemporary issues are drawn out through the cinematic presentations of the past and how modern values are naturalized through their presentation in ancient settings. Through discussion of films from the silent film era to the present, McGeough traces the formative role that films of various genres have had in shaping our perceptions of Egypt, Mesopotamia, the Holy Land, Greece, Rome, barbarian Europe, and the Maya. Not ignoring the traditional historical epic film, the book also presents detailed analyses of comedies, action films, art house fare, exploitation flicks and any type of movie in which audiences experience depictions of the past. By considering cinematic narrative as well as various elements of film design, McGeough presents a comprehensive overview of the topic designed for students and scholars with varying backgrounds in media studies, archaeology, religious studies, and ancient history.
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Edited by the inestimable Emanuel Pfoh.
This series presents different studies of interpretative discourses, cultural representations and historiographical ideologies about the societies of the ancient Near East, ancient Egypt and Biblical scenarios appearing during the 19th and 20th centuries. The aim is to expose, deconstruct and analyze the ways in which Oriental and Biblical societies, cultures and histories were shaped by Western scholarship (Assyriology, Egyptology, Biblical studies), but also by literature and film, while attending to the main ideologies of the historiographical contexts of the last two centuries.
The first volume: